Showing posts with label Science fiction. Show all posts
Showing posts with label Science fiction. Show all posts

Women of the Prehistoric Planet (1966)

Genre: Science Fiction B-Movie

This movie is a turkey, but not as bad as could be expected.

A spaceship, The Commos 3, is traveling through space. On board are a mixture of humans and Centaurians. The Centaurians have the look of Asians, hence are made up of  by an Asian cast. All is well, when suddenly some Centaurians rebel and take the crew hostage and demand to be taken to another planet. In the ensuing commotion, the spaceship collides with a planet and crashes onto its surface.
Meanwhile, another spaceship, Comsmos 1, picks up the distress signal and makes its way to the planet to rescue them. Admiral King (Wendell Corey) is on board and they, too, also have some Centaurians as passengers, notably the pretty Linda (Irene Tsu).

They land on the surface of the planet and realize their journey, although relatively quick, had been the equivalent to eighteen years on the planet’s surface. They soon realize that the crew from the missing spaceship’s chances of survival is pretty low.
An inebriated Wendell Corey
Regardless of this, a search party is sent out to look for any signs of them. They are headed by Commander Scott (Keith Larsen), with Dr. Farrell (John Agar), a really annoying Lt. Bradley (Paul Gilbert), who is the comic relief character, the chief (Stuart Margolin) and the expendable unknown actor. The group have to do battle with a superimposed giant lizard, which is replaced by a rubber one when it is killed; a real snake which fills the search party with terror. I’m sure in the script it probably asked for a giant snake, but when it came to filming, a real-life boa was used which doesn’t look terrifying at all, and a large hopping giant fake spider, which causes its unlucky victim to die of fright (not laughter).
Linda (Irene Tsu)
There is one ridiculous scene where the search party have to cross a pool of boiling oil. They decide the only way across is balancing along a wooden pole while holding onto some vine. You've guessed it, this is where the expendable unknown actor dies. All the time while watching this scene, the viewer will be asking themselves why the search party didn’t walk around the pool as there is clearly a way.

After finding the destroyed Cosmos 3, the search party concludes that all its crew are dead, so they return back to their ship.
Linda with Tang in his cave
Meanwhile, back on the spaceship, Linda, defies the Admiral’s orders and goes outside for a walk (!). It’s not long before Linda has found a beautiful pool of water and is swimming naked (nothing shown) in the pool while humming a merry tune. What is it about women in these films? As soon as they see a nice pool of water, they defy all logic that they could be on an un-hospitable planet and decide to remove their clothing and go bathing.  Well, you’ve guessed it again: she is captured by a native man who takes her unconscious back to his cave.
The search party
Back on the spaceship, they soon realize that Linda has gone outside and is now missing, so Admiral King sends out the returning search party to search for her.

Back in the native’s cave, Linda awakens and soon falls in love with the native Tang (Robert Ito). She soon finds out that Tang is in fact also a Centaurian, and is the sole survivor of the Cosmos 3.

This relationship between Linda and Tang becomes similar to Tarzan and Jane as they fall deeply in love. Tang even has a pet chimp. The trouble is, their new idyllic existence suddenly comes to an end when they are attacked by some mutant cavemen. In the ensuing commotion, the search party also discovers Linda and rescues her, but not before shooting Tang.

Linda is brought back to the spaceship just as a volcano erupts, spewing stock footage of molten lava. The Cosmos 1 then prepares to blast-off when the love-sick Linda escapes to look for Tang.

Will she find her lover? Is he dead or alive? Will they be engulfed in molten lava?

This film was based on a script called Prehistoric Planet, but producer Jack Broder decided to change it to “Women of…” because he thought it would be better for marketing. To justify his decision he filmed three native girls frolicking in the pond and waterfall, but these scenes never made it into the final cut of the movie, though they do appear in the movies’ trailer. What we are left with is a film with no women of the prehistoric planet, except, that is, if you count Linda.
Wendell Corey attempts to act sober
On the subject of Linda, she is so cute! Played by Chinese born actress, Irene Tsu, who was once a winner in the San Francisco "Miss Chinatown" beauty pageant in 1961, her career spanned TV and film. She appeared in many episodes of cult TV shows and also appeared along side Elvis Presley in Paradise, Hawaiian Style (1966).

Wendell Corey, who plays Admiral David King, sounds drunk throughout the film - his voice noticeably slurring while he and the other male crew members wear very un-fetching tight white outfits that really show off there pot-bellies and middle aged-spread.
The special effects in this film are horrendous and are more in line with the Flash Gordon serials from the late 1930’s, with similar shaped rockets hanging on pieces of string and flown over very noticeable model planet terrain. Even the volcano in the background has smoke rising from it done in such away that it was probably a lit cigarette butt which had been stuck in side and the smoke allowed to drift out.

Saying all of that, there are a couple of quite interesting and intelligent ideas in this film, notably a statement on race issues.

All in all, this film makes for an interesting curiosity.
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Frankenstein Conquers the World (1965)

Genre: Japanese Monster Movie

During the height of World War II, inside Nazi Germany some German troops burst into the laboratory of a mad scientist and remove a box to the scientist's frustration.

The box is taken by submarine and handed over to the Japanese, where it makes its way to Japan and the laboratory of some more scientists. Inside the box is the Frankenstein monster’s heart. It just happens that this Japanese laboratory is in Hiroshima and we all no what happens next.
Fifteen years later in Hiroshima, Dr. James Bowen (Nick Adams), the beautiful Dr. Sueko Togami (Kumi Mizuno), and Dr. Yuzo Kawaji (Tadao Takashima) are busy working in a hospital.
On her way home, Dr. Sueko Togami sees a strange figure cross her path. It turns out that the strange character has been terrorizing the local neighborhood by killing the pets. The authorities believe it is a homeless teenage boy.
One evening while Sueko is entertaining Dr Bowen at her apartment, they hear a commotion outside and looking from the window they see the homeless mutant boy lying in the road after being hit by car. Luckily he is not injured, so Sueko throws him some food from her window.
Sometime later, while Sueko and Dr Bowen are walking along the beach, there is another commotion as some children spot the homeless boy in the nearby cliffs. The police, with Sueko and Dr Bowen, go to investigate and find the boy living in a cave. The boy is afraid and aggressive, but when Sueko approaches he isn’t so, and he is taken back to the hospital for care.
The three doctors try to discover who the boy's parents are, but are unsuccessful, although in their research they find that the boy is immune to radiation and that there might be some connection between him and the atomic bomb. The boy continues to show aggression, but Sueko continues to have a calming affect over him.
Next the doctors discover that the boy is continually growing and eventually he becomes the height of “four men” and has to be kept in a large cage.
The doctors are able to track down one of the original Japanese scientists from the World War II laboratory and he explains that there could be a connection between the boy and the heart of the monster that they had received from Germany.
The doctors then fly to Germany where they are able to meet the mad scientist. The scientist explains that there is away to find out if the boy derived from the monster’s heart, and that is to cut off one of his limbs. Afterwards, another limb will grow in its place, and the severed limb would continue to stay alive.
On returning to Japan, the doctors discover that the giant boy has escaped and in the commotion had severed a hand. The hand has been discovered crawling around an the floor.
Furankenshutain, as the boy is called, makes his way to an area of Japan where there are mountains and a cool climate and finds a home in a giant cave. The doctors reason that he has gone their because he was originally from a cool part of Europe, so he feels more comfortable in the climate of this area.
At the same time as Furankenshutain is hiding in this area, a strange prehistoric dinosaur called Baragon, which has bizarre looking rabbit ears and a glowing horn, begins terrorizing the area. The authorities don't realize there is a dinosaur on the loose and believe it is Furankenshutain and so plan to kill him.
Meanwhile, the doctors reluctantly except that Furankenshutain has to be killed, and Dr. Togami draws up a plan to attack Furankenshutain’s eye’s and by killing him this way, they can sever some of his organs and store them for research, knowing that the organs will never die. Dr. Togami sets off to complete this task and because this is a Japanese monster movie, we know there will be a penultimate battle between Furankenshutain and Baragon. Who will be the victor and will Dr. Togami succeed?

This Toho Studios Japanese monster movie is good fun, and completely far-fetched. It wouldn’t be of surprise to know that this was directed by the prolific Ishirô Honda, who was responsible for many of these Toho monster movies.

American actor, Nick Adams, who plays Dr. James Bowen appears in this film with his voiced dubbed into Japanese. On a side note, Adams was a good friend of James Dean and played many “troubled teenager” roles in the 1950’s. Sadly, he died in 1968 from an accidental overdose of drugs he was taking for a nervous disorder.

Dr. Yuzo Kawaji is not your usual white coated doctor and has a fairly sinister streak, first with wanting to sever one of Furankenshutain’s limbs, followed by wanting to attack his eyes.

One part of the film's plot which seemed to be developing, but suddenly disappeared, was when we were first introduced to the three doctors who are treating terminally ill girl. She gives Dr. Bowen a cushion she has made, knowing that she hasn't got long left to live. I was expecting there to be some type of follow up, but she later disappears from the story.

All in all, this is a fun movie with some silly logic and will easily keep you amused for 90 minutes. There was a follow up to this film called The War of the Gargantuas (1966).

You can read a review of Shirô Honda’s flying submarine / lost civilization movie, Atragon here.

Frankenstein Conquers the World can be found on DVD here
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Invasion of the Love Drones (1977)

Genre: Science Fiction 70's Porn

I love hardcore porn from the 70’s because it can sometimes be so weird and much of it actually has a plot. Also in those days you couldn’t watch it on video or DVD in the privacy of your own home, you had to go to a cinema. Often these movies would be based around a theme, such as devil worshippers, Nazis, a deviant on the loose, or science fiction as in the case with Invasion of the Love Drones.

 The film opens with the New York skyline with the Twin Towers in the distance. George (Eric Edwards) is asleep in bed with his girlfriend. He awakens and goes to the bathroom. Meanwhile a phallic shaped spaceship turns and points towards the Earth. Suddenly the naked George is beamed aboard the spaceship.

On board the spaceship George has sex with two aliens which results in him being turned into a love drone. He is then beamed back to his bathroom. He comes out of the bathroom and speaks to his wife. She doesn’t seem to notice that he walks and talks like a robot. They have sex and George’s girlfriend also becomes a love drone.
On board the spaceship

The next day George, walking like a robot through the streets in his safari suite, goes to a sexual research laboratory and volunteers to take part in the research. In the laboratory he has sex with another volunteer and this also turns her into love drone. An alien voice announces that the aliens spread through sexual energy and will take over the world.
The two scientists act shocked

The two female scientists in the laboratory witness the girl being turned into a love drone which briefly involves George turning into a glowing white alien before he transforms the girl. One of the scientists calls her superior on the telephone to report the incident.

Meanwhile, George’s girlfriend is posing for a glamour photographer and they end up having sex. He too becomes a love drone.
Two aliens on board the spaceship

 On board the spaceship two aliens have sex. Their lovemaking becomes more intense as the sexual energy is siphoned from the Earth.

Next we see a James Bond secret agent arrive at an apartment block where he bumps into an old female friend. In next to no time, they are having sex which results in the secret agent becoming a love drone.

At the headquarters of the FBI they decide to send a female agent, Agent Rona (Jennifer Jordan, who is also on the credits for the sound), to investigate instead. She arrives at a club house where all the members are sitting around playing chess. The club leader turns out to be a love drone, so she escapes, but doesn’t get far when she finds the keys to her car have been taken. A biker offers to help her escape, so she jumps onto the back of his bike. Instead of taking her away, he takes her back to the club where she is held down on a glass table by the club members and the club leader proceeds to have sex with her. This scene with the love drones attacking her is very much like something from Invasion of the Body Snatchers. She has also now become a love drone.
The club leader temporarily transforms into an alien

The scientist tells her assistant that she has a plan to save the world which involves going out and picking-up a guy with the hope that he will be a love drone. At the moment he orgasms and momentarily turns into a glowing aliens, she will inject him with a syringe containing enough venereal disease to 'infect most of China'.

Her first attempt involves picking-up a rather camp over-weight guy, but this attempt fails because he doesn't turn into an alien when he orgasms - he's just a normal guy which leaves the scientist feeling humiliated.

In the meantime, George is beamed back onto the spaceship where the Queen of the Love Drones appears. If this film wasn’t already weird enough, it gets really weird with the Queen being a black actress who has shaved her head bald and who's naked body is completely covered in white makeup with two gold metal caps over her breasts.
Queen of the Love Drones

She begins to have sex with George. There is something very surreal with the imagery for this scene as she straddles George which the two naked aliens assisting her.

Back on the Earth more and more people are turning into love drones. The scientist returns to her laboratory and she too has now become a love drone. It is up to her assistant to save the Earth.
The scientist is about to save the Earth with what she believes is a love drone

This film is great with the dialogue being hilarious. It is so weird, and even with its obviously low budget, it is imaginatively done. There are moments during the film which are quite stylish, especially the scenes with the two aliens making love on the spaceship. There is something very “disco” about these scenes, even though no disco music is heard. Instead they are accompanied by some really great ambient music. Actually all the music in this film is really good and comprises of an odd assortment of styles ranging from 60’s James Bond style surf music, to some psychedelia, to moog, to sensual ambient.
Bree Anthony as an alien

Music buffs may be interested to know that the mellow music played during the alien couple sex scenes on the spaceship is taken from a 1972 library music album by Stringtronics called Mindbender and the track is called Dawn Mists. It also appears on the compilation Barry 7's Connectors.

If you like your porn from its Golden Age during the 70's, then you'll love Invasion of the Love Drones. It's so bizarre and will have you laughing.
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Atragon (1963)

Genre: Japanese Science Fiction

This film has it all! - a group of Japanese Word War II soldiers who can't except that the war has finished, a lost civilization, a giant sea serpent, a flying submarine and apocalyptic destruction.

After two engineers mysteriously disappear, there is an attempted kidnap of Admiral Kosumi (Ken Uehara) and his niece, Makoto Jinguji (Yôko Fujiyama). Luckily they are saved just in the nick of time by a photographer (Tadao Takashima) and his assistant.

Back at Admiral Kosumi’s shipping company, he is told by a reporter that his brother, Captain Jinguji, who was believed killed at the end of the war, is in fact alive. Captain Jinguji is also Makoto’s father who she hasn’t seen since she was aged two.

Admiral Kosumi receives a package containing a roll of movie film and when projected finds out it has been sent from the long lost Mu Empire, which had disappeared 12,000 years ago.

The Mu Empire says that it will conquer the world and that it has a captured a Japanese World War II submarine which had belonged to Captain Jinguji. They say they also have the plans to a super submarine called the Atragon, which they had found in the captured submarine.

Meanwhile, Admiral Kosumi is approached by a strange man who they believe is from the Mu Empire, but when he’s confronted he admits to everyone’s surprise that Captain Jinguji is still alive and he is part of Captain Jinguji's missing military unit. Eventually the man agrees to lead Admiral Kosumi, Makoto, the photographer and his assistant, and a reporter to meet the missing Captain.

It turns out Captain Jinguji (Jun Tazaki) and his soldiers are living on a deserted island and they can’t except that World War II has finished. During there time there they have been building the Atragon submarine.

In the meantime, the Mu Empire begins attacking shipping around the world and Admiral Kosumi begs Captain Jinguji to use his new submarine to save the world, but Captain Jinguji stubbornly refuses saying that the Atragon will only be used for the benefit of Japan.

The Mu Empire begins to inflict mass destruction upon the world and in the meantime Captain Jinguji’s daughter, Makoto, who he had been shunning, is kidnapped by the Mu Empire and unbeknown to him is about to be fed to a giant sea serpent. Now Captain Jinguji is left with the dilemma to rescue his daughter and to save the world using the Atragon.
Death and destruction

This is a great adventure/science fiction movie and has everything.

The Mu Empire has the appearance of an ancient Egyptian civilization and they are situated in a submerged kingdom beneath the Pacific Ocean. When ever the film cuts to them, they are taking part in elaborate rituals in giant temples full of chanting and women wailing and singing. Even though the Mu Empire looks primitive, they actually have sophisticated technology including giant submarines that can shoot destructive laser beams.

The Atragon is a giant flying submarine which has a revolving drill like front allowing it to burrow deep into the ground as well as travelling through the sea and air.

The destruction of the world is what you would expect from a Japanese movie of this type, with model sets exploding, burning and cities collapsing due to earthquakes.
The Atragon

Directed by Ishirô Honda who was one of the driving forces behind Godzilla. His trademark was to frequently show scenes of people being overwhelmed by an ambush of crowds, human or inhuman, based on a fear he had while stationed in China during World War II.

The movies of his I have enjoyed are The H-Man (1958), Attack of the Mushroom People (1963) and Mothra vs. Godzilla (1964), but he has also been involved many more of which many may be familiar to you. One notable film is Latitude Zero (1969), which again features a civilization living beneath the sea and involves a super flying submarine. Latitude Zero was notable for having an American cast sharing the lead roles and was one of the first roles for beautiful actress Patricia Medina.

Ishirô Honda is one of the leaders in Japanese Monster/Fantastic cinema and because of this, I've kept meaning to buy a copy of the first English language book on his remarkable career, Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda. Now I'll probably finally get around to buying it.

In the meantime, if you want to enjoy some great family viewing, you can't go too wrong with Atragon.

There's more information about the DVD here.
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No Blade of Grass (1970)

 
Genre: British ‘Collapse of Society’ Science Fiction

The Earth is dieing. A disease is killing off all cereal crops including wheat and rice, there is mass famine, the rivers are poisoned from industrial waste and the ice caps are melting due to global warming. Does this sound familiar?

This is the ominous predicament which has fallen upon the citizens of the world in the British 1970 movie No Blade of Grass.

The Chinese have already dropped nerve gas on their cities to kill off 30 million people to save the remainder of their population from famine and rumors are abound that the British government is planning to do the same to its own citizens. In the meantime, the army has been given orders to seal off all exits from the cities and riots are breaking out.

Architect John Custance (Nigel Davenport) and his wife Ann (Jean Wallace), with their sixteen year old daughter Mary (Lynn Frederick) and her boyfriend Roger (John Hamill), decide to leave London and make their way up to the north of England where John’s brother owns a farm. John believes they will be safe there because it’s situated in a valley surrounded by high mountains and there is only one entrance in.

Setting off in two cars, they must first battle their way through street riots in London. John, who was an ex-military officer, decides that they should arm themselves with guns and so he calls on the elderly owner of a gun shop. When the owner refuses to sell John some guns, John threatens him, but this is thwarted by the young shop assistant, Pirrie (Anthony May), who enters with a gun and threatens to shoot John.
John explains to them that if they join him, they will be safe on his brother’s farm, but the elderly shop owner isn’t interested. Without hesitation or remorse, Pirrie shoots dead the owner and volunteers to join John and his family.

With Pirrie and his wife Clara (Wendy Richard from British TV’s Are You Being Served and Eastenders) accompanying him, there is only one more place that John must visit and that is his son’s public school.

John collects his son who also brings along his school friend, Spooks, whose mother is dead and whose father lives in Brasil but hasn’t been heard of in fourteen months. As Spooks matter-of-factly points out, Brazil has deteriorated into cannibalism.
Now with the group complete, they continue their journey north.

Along the way they are attacked by a biker gang who wear horns on their helmets, armed and violent starving locals and Pirrie becomes more unbalanced and aggressive. Soon he is setting his sights on John’s daughter, Mary. Meanwhile Clara is setting her sights on John. All this is leading to friction and standoffs within the group, but John must keep Pirrie because he is key to their survival because he is the best at handling a gun.

It is not long before the group come across a large group of refugees wandering across the Yorkshire countryside. They all team up, becoming a small rag tag army, and make their way to John’s brother’s farm. Their journey is dangerous and many are killed or left along the way.

Finally they reach John’s brother’s farm which is well protected behind an impenetrable high gate and by manned machine gun posts. John’s brother tells John only his immediate family can enter and the others would have to go elsewhere because they can not support them all on the farm. John is left with the dilemma of what to do.
I love science fiction movies set in the present day where society has collapsed, and being British, especially those set in the UK. 28 Days Later... (2002) is obviously a recent example.

I grew up on a staple of these kinds of things on TV during the 1970’s. The BBC had Survivors (1975-77), where a genetically engineered virus kills ninety-five percent of the world's population leaving the ‘survivors’ to fend for themselves, and the three part Quatermass (1979) series on ITV was equally memorable.

Survivors actually sounds like it might have been influenced by the original book that No Blade of Grass was based upon. This is because in the original book, the reason for the disaster was a Communist Chinese bacterial warfare experiment that had gone terribly wrong.

No Blade of Grass is a strange film. The direction by movie maverick Cornel Wilde isn’t brilliant and the film is a bit crude around the edges, but it is still, nevertheless, exciting and gripping.

It’s also very violent and especially one notable scene where John’s wife and daughter are gang raped by a group of bikers. This scene is quite shocking and unsettling and surely must have had problems with British censorship laws.

In contrast to that, John’s young son and friend, Spooks, seems to think the whole thing is a big fun adventure, especially later on when the travelers are attacked again by the bikers. They comment on how much this is like cowboys and Indians.
The acting by all the main cast is solid, although some of the refugees who join them seem like they were some Yorkshire locals who had been recruited to act in this film on their weekends off.

It should be noted that Jean Wallace, who played John’s wife, Ann, was Cornel Wilde’s real-life wife and she performed exclusively for Wilde from 1953 onwards.

Because this film was made in 1970, we are treated to some dated 70’s fashions, plus some dialogue which wouldn’t have been out of place in a Robin Askwith Confessions movie. For example, when Pirrie discusses his wife:

"Don't worry about her. She has a survival kit between her legs."

Also it’s been a long time since I’ve heard women’s breasts referred to as “knockers”.

This is a bleak movie which is accentuated by radio news reports between the scenes telling of widespread starvation, cannibalism, martial law and genocide.

Is this what our future will hold for us? ...You may ask.

Even though this movie has its flaws it’s definitely one to look out for.
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Cosmos: War of the Planets (1977)

The Italian Poster
Genre: Cheapo Camp Italian Science Fiction

Far, Far in the distant future, where everyone dresses the same with funny red skull caps and the women don’t wear bras under their tops, a strange beam hits the earth from the outer regions of the galaxy.
Captain Alex Hamilton (John Richardson) and his crew are sent to investigate.

Captain Hamilton, who is described by his superiors as arrogant, demonstrates this by punching one of his crew in the face, but he also proves that he will take risks to save another member of his crew when a spacewalk goes badly wrong.

On their journey to the edge of the galaxy, the crew is able to relax by discussing books or making love – not by touch, though, but by transferring thought waves.

They trace the source of the beam to a small planet, which luckily has earth like conditions, so they land and disembark to find themselves in front of a giant Stonehenge monolith.

It isn’t long before they are surrounded by the local inhabitants, who are group of subterranean bald-headed purple people in loin clothes with pointed ears. Through their leader they tell their new visitors that they mean them no harm, but are prisoners themselves of a giant robot which they had previously built.
The robot had wanted the spaceship to come to the planet because it needed to have its circuits repaired before conquering the universe.

Well, what can I say? This is one weird movie. When I was watching it, I thought I’d made a mistake and was watching the director’s other movie, his 1979 Star Odyssey. Then I realized the sets and costumes were all exactly the same.
Directed by Alfonso Brescia,  this is Italian camp science fiction on its lowest budget. God knows how the cast kept a straight face while wearing those costumes, or even acting in this weird shit. The sets look like something from a cheapo 50’s science fiction with some TV sets inserted into the panels.
The subterranean purple people are a bunch of pot-bellied actors in very unflattering loin cloths and you can more or less see the greasy purple make-up dripping off their bodies.

The giant robot looks like one of the toy robots I had when I was a kid in the early 70’s. The special effects are a kin to something from a home movie – actually, I’ve seen BETTER special effects in a home movie. Remember, this was the same year that Star Wars hit the big screen and if you were a British kid, as I was, during this time, you may remember the BBC TV movie quiz show for kids called Screen Test. In the middle of the show they would show a home movie sent in by the young viewers. I remember one young viewer had made his own very impressive version of Star Wars and the special effects in that were superior to this movie. Actually the entire budget for this whole movie was probably equal to the cost of one Star Wars Stormtrooper’s uniform.

But did I like this movie? I have to admit I actually did.

The one thing that stood out for me was the music which was a great example of 70’s electronica with plenty of analogue Korg and Moog synthesisers. The music at times was very experimental, veering off into the Italian equivalent of the experimental German Krautrock electronica of those times. At times there was a thin line between which was the music or the movie’s sound effects. Other times it would try to replicate 2001: A Space Odyssey (1968) by playing a synthesized version of Strauss. I actually would be happy to have a soundtrack album to this movie if such a beast exists.

With this and the strange visuals, including the costumes, sets, stock footage of solar flares and volcanic eruptions, give this movie a quality similar to a fever dream. If you want to switch your brain off for 89 minutes or if you already have, then watch this movie.
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The Land Unknown (1957)

Genre: 50’s Science Fiction/Adventure

This film was supposedly inspired by the discovery of an area of inexplicably warm water in Antarctica in 1947.

A naval science team lead by Cmndr. Harold 'Hal' Roberts (Jock Mahoney) is sent to investigate this unusual phenomenon. On the expedition they are accompanied by blonde female reporter Maggie Hathaway (Shirley Patterson).

Once over the area of warm water, their helicopter is brought down by a combination of bad weather and being hit by a flying prehistoric Pterodactyl.

Descending a couple of thousand feet below sea level, they land in a strange tropical land. With no time to lose they get to work repairing the helicopter while Maggie gets to work doing her womanly chores. Suddenly they realize they aren’t alone - this land is inhabited by prehistoric dinosaurs.
 With their food mysteriously gone and no spares for the helicopter, it looks like the expedition party is doomed. That is, until they meet Dr. Carl Hunter (Henry Brandon).

Dr. Hunter, who’s clad like a caveman in animal skins, has been stranded alone in this land after his plane crashed ten years earlier killing the rest of his team. He has adapted well to this inhospitable place with his home in a cave, but there has been a price to pay for his years of danger and solitude – he has gone mad.

Now with the arrival of some more people, there is one thing he’s been missing and he wants it now, and that is - a woman. Maggie becomes his bargaining chip for the survival of the others.

Made by Universal Pictures and directed by Virgil W. Vogel (THE MOLE PEOPLE), this is a great adventure/science fiction movie with some beautiful lush tropical sets. The dinosaurs are a mixture of real lizards and models. The dinosaurs in the water are especially effective, although the Tyrannosaurus Rex is obviously a man in a suit. Don’t let that disparage you because this film is definitely not your average 50’s sci-fi film. Never once does it become dull.

The Land Unknown can be found on the The Classic Sci-Fi Ultimate Collection, Volumes 1 and 2.

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